Did you know that Audio Intervisual Design is an Authorized Avid Dealer?

While AID, Inc. may be your first thought when it comes to Avid Audio and configuring your Pro Tools|HDX system, we can build your Media Composer 6 video editorial systems, too!

Let us integrate a system for you, built around Avid's Media Composer 6!

Ready for the "next step" in video editing? Have you always wanted to own Avid, but never had the money for it? Settled for software that had promise, but before it became a truly useful product, the manufacturer decided they'd rather make phones and tablets? Well, now is the time to move up to Media Composer 6, and Audio Intervisual Design is just the company to take you there!

Audio Intervisual Design, Inc. has a tremendous amount of experience in integrating video editorial systems, literally hundreds and hundreds of them. From single systems for aspiring indie filmmakers to multiple systems sharing SAN storage and pushing material through at breakneck pace, we've been there to design systems, integrate and fully test configurations, install and wire, and train your operators. Need assistance? AID, Inc. provides numerous levels of support contract. We're local and we've been in this business for decades, so the support you get is the support you need!

• Get better performance and speed to handle complex editing, now that Media Composer is a 64-bit app
• Work with the Avid or third-party hardware you want—with Avid Open I/O, third-party manufacturers can now make their I/O hardware work with Media Composer
• Manage and edit stereoscopic 3D projects with a comprehensive set of editorial tools and workflows
• Take hands-on control of all color correction and grading functions with Artist Color (watch the video)
• Create 5.1 and 7.1 surround mixes directly within Media Composer, or import from Pro Tools (watch the video)
• Work more creatively with audio with new mixer features and support for additional Pro Tools hardware
• Work more easly and efficiently—but not differently—with the sleek and sexy new user interface (watch the video)
• Get full native ProRes support on Mac (encode and decode) and Windows (decode only) for easy integration into any ProRes workflow
• Instantly access, screen, and edit AVCHD clips and RED EPIC footage through AMA
• Accelerate your RGB 4:4:4 workflow with Avid DNxHD 444, which delivers exceptional image quality in a low bandwidth format
• Conveniently purchase stock footage, plug-ins, and more through the Avid Marketplace (watch the video)
• Get direct access to user guides and documentation from within the interface
• Access additional ancillary data when working with XDCAM HD material
• Work more easily with animated effects with many keyframe editor improvements 
• Get Avid FX (Boris RED), Avid DVD, and Sorenson Squeeze in all versions of the software
• Manage multiple licenses more easily with unified licensing

Use Avid's Nitrix DX or Mojo DX Hardware for Best Performance and 3D

You need a system that gives you the speed, flexibility, and confidence to take on anything. Use Nitris DX or Mojo DX with Media Composer and you get the best I/O interface for working with HD, Panasonic AVC-Intra, RGB 4:4:4, stereoscopic 3D, Avid DNxHD, SD 24p film projects, and other material—plus, ancillary data, thin raster support, high-quality scalers, and more—all in one box.

Nitris DX is fully customizable, enabling you to install either a single DNxHD or AVC-Intra encoding chip to capture and encode to these high-quality workflows, dual DNxHD or AVC-Intra chips to support full-frame stereoscopic 3D workflows, or one of each to get the best of both worlds. Plus, take advantage of a full RGB workflow with dual HD-SDI inputs.

The new Open I/O Platform Allows Media Composer to Work With Third-Party Hardware

Media Composer is now fully open thanks to Avid Open I/O, so you can work with your choice of Avid audio and video interfaces or third-party video interfaces, including those from AJA, Blackmagic Design, Bluefish444, Matrox, and others. Manufacturers can simply create plug-ins using Avid Open I/O to have their hardware work with Media Composer, meaning you’ll have even more choices to come. Now you can take your AJA Kona 3 or Blackmagic Decklink HD Extreme 3D+ and use that to capture and display your Media Composer sequences! You've got the best of both worlds: the elegance of a truly professional editing platform and the ability to use a broad variety of your favorite capture/display hardware.

Work with 3D

Edit stereoscopic 3D material as quickly and easily as you do with standard 2D footage, with a full set of new features and workflows. Capture, edit, and manage the complete 3D end-to-end workflow. Mix and match 2D and stereoscopic 3D clips on the same track. Plus, work with full frame and frame-compatible sources, full-fledged editing tools, video effects, and more.

Color Correct & Grade with Precision Using the Artist Color Panel

Save time and maintain the highest quality production with the fully integrated 10-bit color correction toolset. Quickly and accurately match colors from shot to shot using NaturalMatch. Gain better color precision with support for full-quality 4:4:4 HD-RGB color space processing. Get fine control over shots with animatable color correction. Speed up your color work with Artist Color. With its highly responsive feel, you can keep your eyes on the picture instead of the interface while you make adjustments. And since you can tweak multiple parameters at once, you dramatically gain more speed and efficiency to complete time-consuming tasks quickly.

If you'd like more information on these or any other products from Avid, contact us:

Audio Intervisual Design
1155 N. La Brea Avenue
West Hollywood, CA 90038
(323) 845-1155
sales@aidinc.com
www.aidinc.com